Auvergnat bourrée → Musette
function and contextinstrumentationperformance practicestrength: highwell documented1880–1910migrationdanceoral
Mechanism
Auvergnat migrants open cabrette bals in Paris. The room and the name musette come from that pipe. Italian chromatic accordion then replaces the cabrette and the repertory shifts toward valse and java. Strength high for the institution and the name; the later accordion waltz book is not a village bourrée. Do not treat baroque suite bourrée as this parent.
Evidence
Nineteenth-century bals auvergnats in Paris; the word musette from the bagpipe; Grove on the cabrette-to-accordion handoff. Village bourrée continues in Auvergne as the same practice at home.
- Paris bals auvergnats named musette after the cabrette, then re-instrumented with chromatic accordion
- cabrette (1880s — The pipe that gives the bal its name before accordion takes the job)
Debate
Whether accordion musette is still Auvergnat music. Consensus: the bal is the Auvergnat gift; the valse-java accordion school is a new Paris genre. Italian accordionists are mediators of a kit, not a second filed parent genre.
Mediators
community: Auvergnat cabrette players in Paris