The Melody Web what each genre heard, and what it passed on

heard passed on Click or tap a node to recenter. Use a connecting line, or Influence, for the story.

Heard

Romanticism movement · 1810–1910

Cantu a chiterra takes nineteenth-century song-and-guitar craft — tonal accompaniment, a public singer, a published-song habit — into Sardinian verse types.

Influence

Cantu a chiterra

practice · 1850–

Also called canto a chitarra, Sardinian guitar song

Sardinian public guitar-and-voice song, especially the Logudorese contest: improvised or semi-improvised verse over a guitarist who answers and frames the singer. It is a practice, a sibling of Canto a tenore and Cuncordu, not a leftover “Italian folk” bin and not Canzone napoletana. It hears Romanticism as nineteenth-century song-and-guitar craft. Festival sets leftover as continuity. Empty extra Given is historically checked.

Listen

  1. Cantu a chiterra Logudorese contest tradition (None) YouTube
  2. Cantu a chiterra Maria Carta (1970s)
  3. Sardinian guitar song Franco Madeddu (None)

Passed on

Nothing in the corpus yet that this genre passed on.

Romanticism → Cantu a chiterra

harmonyperformance practiceinstrumentationstrength: mediumwell documented1850–1920oralnotation

Mechanism

Cantu a chiterra takes nineteenth-century song-and-guitar craft — tonal accompaniment, a public singer, a published-song habit — into Sardinian verse types. Strength medium. The verse types are local.

Evidence

Later-nineteenth-century contest culture in Logudoro; guitar as the public partner; Lortat-Jacob on Sardinian musical life.

Debate

Whether this is just “Italian song on Sardinia.” No: the school is Sardinian. Do not parent it from Canzone napoletana without a dated record hop. Do not hang Spanish guitar palos here.

Mediators

community: Logudorese contest singers and guitarists