The Melody Web what each genre heard, and what it passed on

heard passed on Click or tap a node to recenter. Use a connecting line, or Influence, for the story.

Heard

Nothing in the corpus yet that this genre heard.

Yayue

tradition · prehistoric–

Also called Chinese court ritual music, Confucian ritual music, Shang-Zhou ritual bronze

Chinese court and sacrificial ritual music: tuned bronze bells and lithophones in sets, hymn, and a Confucian theory of music as order. Shang bronze bells sit behind the named Zhou practice. This is an East Asian court seed. It is not Dong Son bronze (a different bronze job: the Heger drum of the Yunnan–Red River corridor) and not a leftover “Asia” bin.

Listen

  1. Marquis Yi of Zeng bianzhong (ritual set) Chu / Zhou ritual tradition (c. 433 BCE) YouTube
  2. Zhou hymn (Shijing, as court song) Zhou ritual tradition (1st millennium BCE) YouTube
  3. Confucian sacrificial yayue (living) Qufu / court-revival tradition (living)

Passed on

Aak tradition · 1116–

Aak takes the Confucian sacrificial job from yayue: hymn and offering as the architecture, a tuned bell-and-lithophone set, and the same name.

Influence
Nhã nhạc tradition · 15th century–

Nhã nhạc takes yayue’s Confucian court-and-sacrifice job — hymn, court suite, the name 雅樂 — and recodes it as a Vietnamese palace school.

Influence
Yanyue tradition · 7th century–10th century

Sui–Tang court administration keeps yayue as Confucian ritual and stages yanyue as banquet entertainment in the same palace system.

Influence

Yayue → Aak

function and contextinstrumentationform and structureperformance practicestrength: highwell documented1116–15th centurypatronagepedagogymigration

Mechanism

Aak takes the Confucian sacrificial job from yayue: hymn and offering as the architecture, a tuned bell-and-lithophone set, and the same name. Strength high. The dated carrier is the Song gift of instruments and musicians to Goryeo in 1116. Hyangak and dangak are other Korean court wings, not this edge.

Evidence

The 1116 gift; pyeonjong and pyeongyeong as the Korean ritual set; Munmyo and Jongmyo as living Confucian rites. Joseon recomposes much of the sung repertory (Sejong and after); the job and the kit stay.

Debate

How much living aak melody is Song versus Joseon composition. Consensus: the system travels; a large part of the sounding book is Korean. Do not parent aak from Gagaku or treat the two as one “East Asian court” node.

Mediators

institution: Song court; institution: Goryeo court

Yayue → Nhã nhạc

function and contextinstrumentationform and structurestrength: mediumscholarly consensus1400–1800patronagepedagogy

Mechanism

Nhã nhạc takes yayue’s Confucian court-and-sacrifice job — hymn, court suite, the name 雅樂 — and recodes it as a Vietnamese palace school. Strength medium. yayue aak is the dated 1116 Korean gift hop; this edge is the Vietnamese court recoding. Gagaku leftover as a Japanese analogue whose sounding parent is yanyue, not yayue.

Evidence

Huế court suites under the 雅樂 / nhã nhạc name; Grove on Vietnamese court music as a yayue reception.

Debate

Whether Huế music simply is Chinese yayue. The bronze-and-hymn sacrificial school remains yayue’s; the named Vietnamese court repertory is the recoding.

Mediators

institution: Lê and Nguyễn court music offices

Yayue → Yanyue

function and contextform and structureinstrumentationstrength: mediumscholarly consensus581–907patronagepedagogynotation

Mechanism

Sui–Tang court administration keeps yayue as Confucian ritual and stages yanyue as banquet entertainment in the same palace system. Tang sources note popular and foreign material entering court music; yanyue is the sounding entertainment recoding of that court. Strength medium. Not parentage of repertory piece-for-piece: ritual hymn and banquet suite remain different jobs.

Evidence

Grove on Tang reservation of yayue for sacrifice and yanyue as the dominant banquet form; yuebu as the bureaucratic carrier; later Japanese tōgaku taking the banquet wing (yanyue gagaku), Korean ritual taking the yayue wing (yayue aak).

Debate

Whether coexistence in one court is influence. The hop is institutional and functional recoding (ritual court music → banquet bureau), not a claim that banquet suites are rewritten yayue hymns. Do not reverse-parent gagaku from yayue; the Japanese sounding parent is yanyue.

Mediators

institution: Sui–Tang court music offices (yuebu)